Monday, 17 December 2012

Wednesday, 12 December 2012

OUGD404 - Speech Made Visible (2)


Keeping the typefaces accents unknown, in groups we swapped typefaces and had to put them into the 10 piles for the 10 accents.
10 Accent groups
Pirate
French
Russian
Irish
Australian
Essex
Jamaican
Yorkshire
Scouse
Welsh
We then had to choose the four accents we were the most confident about, which were for us: French, Pirate, Russian & Irish. These were then checked by the group which the typefaces belonged to. We got them all right apart from one, which was not part of the accent group we put it in.

Tuesday, 11 December 2012

OUGD404 - Study Task 3: Speech Made Visible

Research

Irish
Pirate
Russian
Essex
Scouse
Geordie
Jamaican
French
Australian
Yorkshire
Welsh

Monday, 10 December 2012

OUGD404 - Study Task 2: Birth Of A Font Task

Task: From the 240, select the 5 most successful and produce the A, B, C, a, b, c of each - trace and hand render - then do the X, Y, Z, x, y, z & name each font.

4 Original fonts:


5 fonts created:

1. Scripted Roman
I think that this font has worked well overall, however I do think the uppercase is a lot more successful than the lowercase, which in the case of the 'a', 'b' & 'z', looks a bit awkward and not quite right. If I were to expand it out to a full typeface, I think that this problem would be corrected as the other letters would all have a similar appearance.

2. Identity Crisis
Overall I do think the font works well, however I'm not completely convinced on the 'c' or 'C'. As I have followed the rules I used on the other letters, it makes them look very uneven and out of place, whereas the other letters work quite well. As there are no serifs on the 'z' & 'Z' they don't really look like they have been changed so much, but I do believe they don't look that out of place. I particularly like the way the 'x', 'X' & 'b' turned out. I think they definitely look the best out of all 12 letters.

3. Lopsided
This is my least favourite final font. Although a couple of letters have interesting quirks to them, I don't feel it is a particularly exciting font and all looks a bit uneven. I think this has shown that I need to take the letterforms into consideration before deciding one letter looks good. I liked the original 'b' and created this from that, but that seems to be the only one which is completely successful.

 4. Curved
I find this one an interesting mix. I think it works very well as a typeface in general, and would be interesting to expand further into the other letters and perhaps punctuation and numbers. I think the 'A' & 'X' worked particularly well.

5. Metro
This is my favourite out of the five because it effortlessly fit together and does look considerably like it could be a real typeface that could be used. Unlike the other four typefaces, I think the letters which worked best were the 'C' & 'c'. I also think the serifs work very well and give it a bit of formality.

Hand rendered:

Evaluation
I think the final fonts are well constructed, but if I could do something differently I would perhaps rethink the C's and make them all follow the rules a bit better. I would also maybe try a different combination from the Block & Gothic typeface as I don't think it is as individual as the other four, which all have a bit of character to them. Overall I think all of them could definitely work if expanded into a whole typeface, especially 'Metro' and Scripted Roman.